ADULT COURSES & WORKSHOPS

Studio Art Foundation Program

South Shore Art Center offers a new program for students looking to formalize their art studies. Upon completion of a specially designed curriculum, SSAC will award students a Certificate in Studio Art Foundation. Participants in the program will have ongoing support of Art Center faculty to evaluate work and assist in course selection. Certificate Students will have priority registration and be assisted in creating a portfolio of work from their selected courses for presentation and exhibition. They also will have the opportunity to exhibit at SSAC in Certificate Student shows. Courses must be completed within three years of registration. (One course, taken prior to January 2009 is eligible for inclusion in the Certificate Program.)

Registration fee for this program is $50.
Contact 781-383-2787 for more information.

First Year Focus
Basic Drawing (48 hours minimum)
Color Theory (10 hours minimum)
Intro to Painting (24 hours minimum Oil, Acrylic, or Watercolor)
Elective choice (24 hours)

Second Year Focus
Drawing II (24 hours minimum)
Art History (12 hours)
Painting Elective (24 hours minimum)
Elective choice (24 hours)

Elective Courses
Advanced Drawing (24 hours)
Printmaking (24 hours)
Photography (16 hours)
3D ceramics (24 hours)
Sculpture (24 hours)
Visiting Art Workshops (18 hours minimum)

300 Basic Drawing

Judy Rossman

The ability to draw is the basis of art. A bad painter cannot draw—but one who draws well can always paint, sculpt or print. Drawing is a learned skill and learning how to draw is the process of observing the basic structure of objects regardless of how complex they might be. The skill is taught through a series of structured sequential exercises similar to learning a musical instrument. Once students learn how to observe their surroundings, they learn how to draw. In addition to observing structure, they will learn line, value, shape composition and limited color.

300a 1/15–3/19 Friday am 10:00–1:00
300b 1/12–3/16 Tuesday pm 6:00–9:00
$195M $235NM 8 classes

301 No Fear Drawing—Basic
Drawing Techniques

Marion Carlson

You can draw! Each week, a principle of design will be introduced. This hands–on approach will give you the tools to have a successful drawing. You will learn line, texture, value, contrast, negative space and more in this supportive two-hour class.

1/25–4/5 Monday pm 6:30–8:30
$195M $235NM 10 classes

488 Color Theory Simplified

Judy Rossman

Through a series of structured sequential exercises, students will understand the basics of color mixing. This understanding will endow the student with skill and confidence in any color media he/she approaches including watercolor, oils, acrylics, oil pastels, colored pencil and gouache. A simple still life will be completed utilizing techniques experienced in previous exercises.

3/6 & 3/7 Saturday & Sunday 11:00–4:00
$110M $150NM 2 classes

302 Intermediate Soft Pastel Painting

Donna Rossetti-Bailey

This class, for the pastel artist with some experience, will focus on pursuing personal style and the student’s individual view of the world. We will have fun, laugh and learn from one another while we fine tune pastel techniques and imagery. There will be plenty of one-on-one time with each student, along with lots of information exchanges. Pre-requisite—beginner pastels.

1/20–3/31 Wed am 9:00–12:30
$285M $320NM 10 classes (includes additional materials fee)

303 Drawing for Painting

Evelina Brozgul

In this intensive still life class you will learn to draw “exactly what you see” from life and will finally be able to draw without inhibitions or fears. The goal of the class is to train your eye to look, not just see what is on the stand. You will receive assignments that will train your hand and eye coordination and develop an intelligent and strong classical technique long forgotten by contemporary artists. Finally you will examine how value relates to color and how drawing is necessary for classical painting..

1/21–3/18 Thursday am 9:30–12:30
$195M $235NM 8 classes

305 Botanical Drawing and Painting:

Fruits and Vegetables

Sarah Roche

Discover the traditional art and science of botanical drawing and painting under the guidance of botanical artist, Sarah Roche. Through demonstrations and tutorials learn to realistically render botanical forms in pencil and watercolor. Instructional focus includes observational skills, drawing, composition, design and watercolor techniques. In this six week class we will be focussing on fruits and vegetables, exploring the challenges of recording their color, form and texture as we portray nature’s harvest All abilities welcome.

1/25–3/8 Monday am 9:30–12:30
$165M $205NM 6 classes

404 Pastel Studio

Anne Heywood

Treat yourself to three entire days of uninterrupted pastel painting this winter. Each session begins with the instructor’s demonstration, while the rest of the day is dedicated to painting your masterpiece. Plenty of one-on-one guidance for each participant. Bring your own painting reference materials (still life, photos, etc.).

1/23, 2/27, 3/20 Saturdays 9:30–4:00
$195M $220NM 3 classes

310* Beginner/Intermediate Watercolor

Mary Callahan

Designed for all levels of the watercolorist, this course will first provide the fundamentals and then explore the many techniques of watercolor. Work from still life set-ups, photos or from your imagination. Emphasis will be on color and design, with the goal of creating an organized emotional statement.

1/21–4/1 Thursday am 9:00–12:00
$240M $280NM 10 classes

316 Chinese Brush Painting:
The Landscape

Qingxiong Ma

In this course, Chinese brush students will further their painting skills with a special emphasis on the Chinese landscape. As in “Flowers and Birds”, students will use ink, watercolor, gouache, and acrylic on rice paper to create wonderful visual effects.

Inquire about the Eleanor Hales-Avakian Sumi-e Scholarship for Chinese Brush Painting.

3/2–3/30 Tuesday 10:00–4:00
$230M $270NM 5 classes

317 Bare Bones Watercolor

Lilly Cleveland

This course is designed to start people in painting. Whether you use the information for journaling, relaxation or painting masterpieces, this course is for you. Four sessions will start with supplies and explanation of colors, paper, palette and brushes. We will paint a still life, landscape, monochromatic or work from photographs. Each class is designed with a planned lesson in shapes, composition, values (lights and darks) and color combinations. The first half hour will be spent drawing a thumbnail sketch of the subject and then we will paint through to a finished piece. The supply list is designed to start painting affordably. Demonstrations will focus on colors and composition.

1/25–3/22 Monday pm 1:30–4:30
$195M $235NM 8 classes

321 Oil Painting—Basics for Beginners

Charissa Roberts

Explore oil painting in this personalized class. Each week students will be introduced to a new subject including still life, landscape, and floral. Emphasis will be on the possibilities of the medium, color, composition and techniques. Personal goals will be discussed and supported.

1/22–3/19 Friday am 9:30–12:30
$195M $235NM 8 classes

322 Face It!—Traditional and
Contemporary Portraits

Valerie Forte Vitali

Working from the model, students will explore traditional and abstract ideas about portraying the human face. We will discuss the bones and structures of the face that give it form, shading, color and physical resemblance. The primary medium will be oil paint, but other materials may be incorporated. Each week, the class will focus on portrait styles and personalizing the imagery through observation and experimentation.

1/19–3/2 Tuesday am 9:30–12:30

$145M $185NM 6 classes

323 Painting With Acrylics

Lisa Marder

Explore this versatile medium while learning the basics of drawing and painting. We will use still life, photographs, the landscape, the figure, sketchbooks, and works of other artists as sources of inspiration. While experimenting with color, line, value, texture, and composition we will produce both representational and abstract works in a fun, relaxed, and supportive atmosphere. Beginning as well as continuing students are welcome.

1/20–3/17 Wednesday pm 1:00–4:00

$195M $235NM 8 classes

326 A Demo A Day—Learning From Example

Joan Brancale

The Demo A Day landscape and still-life demonstrations are designed to give developing artists additional insights into the picture-making process and exposure to various painting techniques. Following the demo, students will begin their own work and receive individual attention as wanted. Improve your powers of observation, painting from life and in the studio. In this informal and supportive class, fundamentals of composition, value design, color mixing and various methods of paint application will be covered.

1/21–3/4 Thursday am 9:30–12:30
$165M $205NM 6 classes

327 “Alla Prima” Still Life Class

Dianne Panarelli Miller

This class will begin with an informative demonstration to help students see how to begin a painting. The instructor will work with students on an individual basis to help them improve at their own speed. There will be many set ups so there is no crowding around a still life. Dianne will blend the discipline of Academic Traditional Methods with the freedom of “Alla Prima” to help students learn the fundamentals to create a painting that is structurally sound in color, composition and technique. Whether you are a beginner or advanced artist you will benefit from this class.

1/25–3/22 Monday am
9:30–12:30 $195M $235NM 8 classes

328 Oil Painting for
Beginners/Intermediates

Evelina Brozgul

In this course for beginning and intermediate students, you will develop fundamental painting skills while exploring the potential for self-expression inherent in oil painting techniques. Studio exercises include direct observation and response to still life, architectural spaces, and the human figure, as well as the development of a personal project. You will be introduced to the traditional painting process, from stretching and priming the canvas to the final glazing.

1/21–3/18 Thursday pm 1:00–4:00
$195M $235NM 8 classes

500 Life Drawing and Painting Studio

Uninstructed—Michael McNabb—coordinator

Develop your skills in drawing from the model in this ongoing class. Please call the Coordinator 781-545-4991 if you plan to attend.

ongoing Monday evening 7:00–10:00
$7M $9NM per session model fee payable at class

340 Beginning/Intermediate
Monoprinting

Esther Maschio

Learn something new to stretch your imagination. Monoprinting is the most accessible and experimental of any of the visual arts. Technique and process are taught by means of sequential demonstrations starting with basic lessons. An indirect process, imagery is applied to a Plexiglas surface then transferred to archival paper by means of an etching press. Students will learn about mixing inks, roll-ups, viscosity, color theory simplified, additive, subtractive, trace drawing, transfers, blind embossing and chine collé among others. Individual attention is given during each class and group experience and interaction with other students all combine to create a stimulating atmosphere with lots of room for meaningful and fascinating learning curves. Students at all levels of experience are welcome.

1/25–4/5 Monday pm 6:30–9:30
$260M $295NM 10 classes (includes a $25 materials fee)

341 Intermediate/Advanced
Monoprinting

Esther Maschio

Monoprinting can be a highly experimental medium for creating strikingly unique works of art. An indirect process, typically imagery is created on a Plexiglas plate and then transferred by means of an etching press to archival paper. Brayers and brushes are the primary tools used. Methods and techniques include: additive, subtractive, mixing inks, roll-ups, viscosity, transparencies, color layering, multiple plate printing, plate registration, color theory simplified, trace drawing, collage, chine colle and more. Students will work with instructor to define goals and then set a plan to begin work. In this dynamic and energetic studio environment, exploration and growth are emphasized at the individual and group level.

1/26–3/23 Monday am 9:00–2:00
$330M $365NM 10 classes (Includes $20 materials fee)

366 Chop Shop—Wearable Art

Allison Crowe

In this course we will make one of a kind wearable art using felted sweaters and other repurposed garments and materials. Students will learn how to sew their designs by hand or using their own portable sewing machines. Many surface and construction techniques in fabrics will be covered, to include: wool felting, collage, painting, image transfer and soft sculpture. Projects will include: a felted patchwork pullover, mittens, hat and scarf, painted pants and a photo collage garment of choice. Specialty paints, transfer mediums and embellishments will be provided. Students will need to bring in an assortment of their own clothing (or thrift shop finds) to complete these projects.

1/25–4/5 Tuesday 9:30–12:30
$195M $235NM 8 classes ($20 materials fee payable to instructor)

353 Sculpting with Paper Clay

Ann Conte

Paper clay is clay mixed with paper pulp allowing for infinate possibilities that would not be possible with a regular clay body. It’s easy to use, extremely strong in its unfired stage and easy to repair at any stage in the process. When fired, it is much lighter than conventional clay and is useful for wall installations and delicate sculptural forms. Students will explore handbuilding and sculptural techniques that will go beyond traditional clay boundaries. Previous ceramic experience helpful.

1/21–4/1 Thursday pm 6:30–9:30
$295M $335NM 10 classes (includes materials and firing fee)

451 Mosaic Workshop

Lisa Houck

In this two-day workshop, students will learn to design a mosaic, using bold, graphic shapes. We will cut glass tiles and glue them to a panel to create a work of art which is durable, colorful, and full of lively patterns. Students will go home with all the information needed to make mosaics.

3/14 & 3/21 Sunday 12:00–4:00

$145M $185NM 2 classes ($25 materials fee payable to instructor)

371 Digital Photography—Start
to Finish

Tim Waite

Learn how to maximize the digital camera. Students will be introduced to the basics of digital photography and the technical aspects of taking an image from concept through composition to print. They will learn the differences between “point and shoot” and digital SLR cameras, digital photography compared to standard photography, file formats and digital resolution, light and film speed as pertains to digital photography. Other topics discussed will be lighting for photography, landscape photography, portrait photography, printing digital photographs, technical aspects of calibrating monitors and printers for more accurate image output. Students should bring their cameras and manuals to class. This course is recommended for Digital SLR owners or people interested in buying one in the near future.

1/21–3/18 Thursday pm 7:30–9:30
$150M $190 NM 8 classes

471 Adobe Photoshop Lightroom

Tim Waite

Learn how to maximize your digital photography workflow with Adobe PhotoshopLightroom. In this workshop you will learn how to import and manage your digital photographs, as well as how to improve photos, in both color and black & white. Applying preset filters will be discussed and demonstrated as well as how to make your photographs “pop” using Lightroom’s array of image modification tools, such as tone curves. An understanding of digital photography and your camera’s RAW image file format are required. A laptop with the latest version of Lightroom that you can bring to the workshop is recommended but not necessary.

Tim Waite has over 10 years of experience with digital graphics and photography, including web design for Focal Press books and currently works in the broadcast television and film industry for Avid Technology.

3/27–3/28 Sat & Sun 1:00–5:00
$105M $145NM